Radio Advert Report
Commercial radio focuses on generating profit;
there are many ways commercial radio look to gain money; the main source of
income is from advertising. For example, selling news casts. Additional ways
that commercial radio makes money include user involvement - such as
Capital FM hosting special events such as their 'Summertime Ball', and
competitions - which lead back to the radio station's profit.
In this assignment I will be analysing a radio
advertisement that was produced by Barnardo’s, and released in 2015.
This radio advert is trying to convey the message
of how child abuse occurs behind closed doors, and that anyone can be a
victim, regardless of social class, ethnicity and gender. It also shows that
abusers will cover their tracks by making up seemingly legitimate stories to
explain how the victim obtained their injuries.
The style of my chosen advertisement is one of
shock. The reason it falls under this category is because it speaks about a
topic that's considered taboo - due to the fact that nobody mentions it openly
in day-to-day conversation - in a blunt and matter-of-factly manner.
The structure of the advert is a one-off
because it refers to a specific case study of a young boy called Max. It isn't
part of a series as it only mentions a snapshot into the experiences of this
one victim.
Its purpose is to provide information, as well as
sell a service. Contact details are given at the very end of the advert so as
to allow listeners to gain more knowledge on the subject matter as well as to
enable them to donate money. The advert is for a company that aims to protect
victims of child abuse, raise awareness, and abolish this violence altogether.
From 0.01 seconds up until 0.13, there is a
non-diegetic sound of the narrator informing the audience about a young boy
who's a victim of child abuse. At 0.14 seconds up until 0.18
seconds, there's the diegetic sound of a child. Children are often
used in adverts to make them more emotional, because they're vulnerable and
innocent. The fact that a child's voice has been used in an advert about abuse
is particularly effective as it adds a little perspective. People will be more
likely to donate to the charity due to this.
The advert's voiceover, which starts at 0.01
seconds, is by an Australian woman. This is relevant as the charity is
Australian. Her tone is calm yet blunt as she explains how the particular victim
mentioned had to "learn how to walk" all over again as a result of
the injury he obtained. This uses shock to capture the attention of the
audience, a persuasive technique as it makes the audience feel as though they
should do something to help. It also means that the advertisement is far more
memorable, making it more likely to be a success I achieving its aims - raising
awareness and selling the charity's service.
The persuasive techniques used throughout the
advert, such as a child's voice being used from 0.14 to 0.18 seconds, enable
the advert to become more successful. It's likely that it raised a lot of
money, and became the subject of conversation across Australia due to its
shockingly blunt nature. The use of the woman's voiceover from 0.01 seconds
through to 0.13 seconds gives the audience the information that the
advertisement has to offer. Female voices are often used in adverts due to the
fact that they're perceived to be more calm and relaxing. This completely
contrasts from the content of this recording, making it more effective as it
increases the matter-of-fact element to it. This is done to show how common
this shocking behavior is.
This advert's level of distribution is national as
it can be found on the internet. However, it was originally released for
Australia due to the nationality of the charity.
Regulatory bodies would have told the producers
that this advertisement can only be played after the watershed due to its
distressing content. Adverts that are played after this 9pm cut off contain
more offensive or upsetting content because younger listeners will have gone to
bed and so won't be listening to it. This protects them from content that isn't
appropriate for their age, while ensuring that it's still heard by an adult
audience.
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